' .Ne\u00efl Beloufa, Party Island. In coproduction with red shoes. this work benefits from the support of the Fondation nationale des arts graphiques et plastiques. Photo : Andr\u00e9 Morin for Palais de Tokyo. . ; ' .Ne\u00efl Beloufa, La domination du monde . In coproduction with red shoes. . Photo : Andr\u00e9 Morin for Palais de Tokyo. . ; ' .Ne\u00efl Beloufa, La domination du monde. Photo : Andr\u00e9 Morin for Palais de Tokyo. . ; ' .Ne\u00efl Beloufa, Real estate. Photo : Andr\u00e9 Morin for Palais de Tokyo. . ; October 17, 2012 – February 11, 2013 Palais de Tokyo, Paris \u2014 Curated by : Daria de Beauvais and Ga\u00ebl Charbau \u2014 suite du billet \u2014 Ne\u00efl Beloufa\u2019s exhibition \u201cLes Inoubliables prises d\u2019autonomie\u201d (Unforgettable acts of empowerment) has as its starting point an uncommon production system. The videos, photographs, objects, sculptures and installations presented here were made on site in several stages: set building, film shooting, surprise birthday party, launch of a mobile catering company, football match\u2026 In other words, use of the space right up to its destruction. The remains of these moments were used as a basis on which to assemble forms and edit films. The final modelling of the exhibition is a result of the previous stages, and the films show sequences edited using footage from different shootings. The exhibition is a group of fragments, archives and ways of \u201cshowcasing forms.\u201d Any form of hierarchy has been abolished, in the same vein as a mould or negative of all the events that took place within it. The construction of meaning thus appears in the relationships which the artist gives us free rein to establish between the various formats. Ne\u00efl Beloufa – L\u2019importance des sujets<\/p>\n","protected":false},"excerpt":{"rendered":"
‘ .Ne\u00efl Beloufa, Party Island. In coproduction with red shoes. this work benefits from the support of the Fondation nationale des arts graphiques et plastiques. Photo : Andr\u00e9 Morin for Palais de Tokyo. . ; ‘ .Ne\u00efl Beloufa, La domination\u2026<\/p>\n","protected":false},"author":1,"featured_media":20041,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_tumblr_source_name":"' .Ne\u00efl Beloufa, Party Island. In coproduction with red shoes. this work benefits from the support of","_tumblr_source_url":"","footnotes":""},"categories":[3],"tags":[136,79,107,93],"class_list":["post-10151","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-presse","tag-daria-de-beauvais","tag-gael-charbau","tag-neil-beloufa","tag-palais-de-tokyo"],"_links":{"self":[{"href":"https:\/\/www.gaelcharbau.com\/index.php\/wp-json\/wp\/v2\/posts\/10151","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.gaelcharbau.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.gaelcharbau.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.gaelcharbau.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.gaelcharbau.com\/index.php\/wp-json\/wp\/v2\/comments?post=10151"}],"version-history":[{"count":1,"href":"https:\/\/www.gaelcharbau.com\/index.php\/wp-json\/wp\/v2\/posts\/10151\/revisions"}],"predecessor-version":[{"id":20464,"href":"https:\/\/www.gaelcharbau.com\/index.php\/wp-json\/wp\/v2\/posts\/10151\/revisions\/20464"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.gaelcharbau.com\/index.php\/wp-json\/wp\/v2\/media\/20041"}],"wp:attachment":[{"href":"https:\/\/www.gaelcharbau.com\/index.php\/wp-json\/wp\/v2\/media?parent=10151"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.gaelcharbau.com\/index.php\/wp-json\/wp\/v2\/categories?post=10151"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.gaelcharbau.com\/index.php\/wp-json\/wp\/v2\/tags?post=10151"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}